February 9, 2014
by fashion pulse contributor
by Amanda Zeigler
[Image Courtesy of Whit]
: Whit
The Theme: Scandinavian simplicity with natural splendor and style.
The Color Palette: Focusing primarily on a natural palette of rich browns and neutral whites and creams, Whit infused pops of teal, blue and metallic in some of its looks.
The Collection’s Signature Look: Models, with hair braided into perfect Scandinavian updos and simple makeup of petal colored lips gave the impression of fresh-faced maidens. Paired with Whit’s easy silhouettes and natural appeal, there was hardly a look that one wouldn’t want to wear. Standouts styles included a teal long-sleeved silk jumpsuit with pleated waist details and skinny tapered legs, as well as a simple black wool shirt matched up with brown print tapered leg silk pants.
[Image via WWD]
The Show: Desigual
The Theme: Spread the love- of life, of style and of mixing graphic patterns with rich textures.
The Color Palette: Graphic prints of black and white were easily complimented by deep shades of red, burgundy, orange and blues. In a variety of textures- lace, mohair, wool and silk, these rich hues were a perfect match for each other.
The Collection’s Signature Look: As models danced, skipped and blew kisses down the runway, love was certainly in the air. True love of the collection came in amazing maxi-dresses in a mix of prints and colors- especially an asymmetrical cap-sleeved silk maxi, with a cartoon caricature of a Twiggy-like face. Beautiful and bold, my heart was stolen by Desigual.
*This feature is part of the Sorrelli for Fashion Pulse Daily Exclusive New York Fashion Week Runway Coverage.
February 8, 2014
by fashion pulse contributor
by Celina Vicioso
[Image via Elle.com]
Jill Stuart
The Theme: Young and flirty
The Color Palette: A gamut of black, sparkle, metallic and pops of red, pink and navy.
The Signature Piece: Stuart’s over sized camel textured wool coat is a piece that is currently coveted by fashionistas across the globe. Stuart’s inclusion of this piece is comforting, as it reveals that this silhouette of wool coat will certainly continue on as a wardrobe staple for many seasons to come. Additionally, Stuart’s color choice lends to this piece’s longevity, as its neutral tone can easily find itself paired with any color and garment type.
February 8, 2014
by fashion pulse contributor
by Amanda Zeigler
[Image via WWD]
: Mark and Estel
The Theme: Old World inspiration topped off with Gothic Glam.
The Color Palette: As they have come to be known for, Mark and Estel again focus on a stylish girl’s love of black. Dark and dreamy is a signature of theirs.
The Collection’s Signature Look: A captivating short black cape, topped off with sleek, secretive-looking fedora demonstrated how truly runway to reality Mark and Estel are. All looks had an element of need it now, in our favorite color of black. Plus, there is a little rock in roll in all of us, right?
[Image via MBFashionWeek.com]
: Zimmermann
The Theme: Brooding beauties know as Cloud Stompers. Inspired by the style of Beatniks and Teddy Girls, Zimmermann’s Cloud Stompers are a touch defiant, a touch innocent.
The Color Palette: Dark to light, colors ranged from blacks and deep reds to mints, lilacs and peach.
The Collection’s Signature Look: Innocent and provocative, masculine and feminine, lace and leather; the entire collection was a juxtaposition in and of itself. Looks combined rich textures and unexpected layers. Tough to choose a favorite, but a caged dress with a full volume skirt, over a sweet floral print was the definition of this new way of dressing.
*This feature is part of the Sorrelli for Fashion Pulse Daily Exclusive New York Fashion Week Runway Coverage.
February 8, 2014
by fashion pulse contributor
[Images via Style.com]
When channeling a very specific vibe, designers often run the risk of a line that feels “costumey.” Ruffian, however, manages to steer clear of the word season after season, churning out looks that are highly inspired, but equally as wearable. For fall 2014, Brian Wolk and Claude Morais looked to a monastic influence with a collection that was aptly titled “Rapture.”
Demure, high-neck satin blouses were complete with ruffled collars and long, swooping silhouettes were a subtle nod to clerical attire. A standout unicorn motif made its way onto a bomber jacket, a blazer, and a raglan top, and opulent jacquard was layered over sequins. Ruffian red tights, a vampy lip, and extended bucket hats (there was a fabulous one in tweed) heightened the drama. But, even still, the wares did not appear too theatrical. In fact, as the models took the runway, the church bells that played were just as discernible as the sound of tapping heels—a reminder that style is never limited to a certain time, place, or moment.
