February 9, 2014
by fashion pulse contributor
[Image via Fabsugar.com]
Each season, Lela Rose lands upon a source of inspiration and runs with it. And, she manages to weave that inspiration so well throughout her collection, that it feels like a narrative—one that connects each look to each other, moving through structured separates to the most elegantly draped dresses.
For fall 2014, the designer channeled the wholesome quality of a homemade meal—one that sits on chef Ferran Adrià’s table at El Bulli, specifically. As always, the clothes exhibited a distinctive textural element, with detail embellishments such as feathers, crystals, guipure lace, and gilded jacquard, providing a unique finishing touch. But, these ensembles felt especially complete in more ways than one. Checked, geometric-esque prints were offset by playful pieces such as a crisp, white blouse with a scalloped hemline, or a flouncy skirt. Satin co-ordinate sets came in demure silhouettes and embellished peplum T-shirts complemented trousers with a lady-like touch. Yes, Rose’s signature, head-turning whimsicality was definitely present.
[Image via Fabsugar.com]
Finally, not to be overlooked is the appearance of a certain citrine shade that’s popped up on many of the runways this week. I was particularly drawn to this grid embroidered top and skirt set that evokes images of a classy, but also very cool kitchen setting. As for that meal? You can count me in.
February 8, 2014
by fashion pulse contributor
[Images via Style.com]
When channeling a very specific vibe, designers often run the risk of a line that feels “costumey.” Ruffian, however, manages to steer clear of the word season after season, churning out looks that are highly inspired, but equally as wearable. For fall 2014, Brian Wolk and Claude Morais looked to a monastic influence with a collection that was aptly titled “Rapture.”
Demure, high-neck satin blouses were complete with ruffled collars and long, swooping silhouettes were a subtle nod to clerical attire. A standout unicorn motif made its way onto a bomber jacket, a blazer, and a raglan top, and opulent jacquard was layered over sequins. Ruffian red tights, a vampy lip, and extended bucket hats (there was a fabulous one in tweed) heightened the drama. But, even still, the wares did not appear too theatrical. In fact, as the models took the runway, the church bells that played were just as discernible as the sound of tapping heels—a reminder that style is never limited to a certain time, place, or moment.
February 5, 2014
by fashion pulse contributor
by Sarah Wasilak
All of the elements that make up the signature Veronica Beard uniform are still present for fall 2014, but they come with serious edge. Structured suits are ‘70s-infused with a metallic sheen and flared leg, and gold, medallion-like chains make for the perfect accoutrements. Deep V-necks accompany the more classic, elegant looks, like a rust orange satin dress and a graphic maxi with flirty slits.
Of course, the label’s known for making luxe, live-in jackets, and the asymmetrical leather design, paired with tailored culottes, is no disappointment. However, the fall collection does not come without surprises. Strips of fringe, a detail that’s in for spring 2014, works as a subtle embellishment to a floral sweatshirt and mini dress. But, the color palette is just as unexpected.
Pretend you’re painting, and just before your brush hits the canvas, it takes a dip in one more, slightly darker pigment. It seems these shades were arrived at in a similar fashion—and the result is very cool. Yes, in theory, a dusty, almost brown, eggplant top may clash with turquoise and navy camo print trousers. But, somehow, the offbeat autumnal tones balance each other out. Perhaps it’s thanks to the strappy citrus pumps that play up most of the ensembles, delivering a peppy kick.
