a-line

September 30, 2010

NYFW SS 2011: SANG A & GARY GRAHAM

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Sang A

Artfully slung or perched on a black wooden ladder, exposed zippers rocked python patterned leather and suede, all kept within a dark color range fit for the edgy consumer to accessorize with reptiles. The designer herself was in attendance, ensuring glasses were kept filled to the brim and posing for press snapshots. For a while, at least, I forgot about the torrential downpour deluging Manhattan outside. Shop her collection here.

[Images via Style.com]

Gary Graham

Whimsical and fairy tale-like, Graham’s collection this season recalls the romantic aesthetics of yesteryear, but makes his garments wearable for the now. The designer fused earth tones with red, black, floral, and a greener aquamarine to create a endearing-yet-edgy collection suitable for both scuttling across pavement or skipping through a pasture. The A-line shape appeared again, accompanied by draped dresses, fitted skirts and cropped pants falling just-below-the-knee , layered with loose fitting blouses, lace vests and tight geometric patterns. His first shoe collection (all ankle boots, both wedged and heeled) proved the perfect agent to seduce the audience, wooing in shades of olive, taupe, and red.

-Maria Eilersen

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September 17, 2010

New York Fashion Week S/S 2011: Organic, Jill Stuart & Elise Øverland

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[All Images via Style.com]

Organic by John Patrick

Challenging my body clock, I descended into the basemen of the Ace Hotel to a club-like atmosphere long before cocktail hour.  Accentuated by lax side-swept locks, the looks were soft and refined with indications of attention to hand-stitched details. The light color scheme of innocent pastels, shades of brown and loads of white worked well with the large summer hat, floral gown and flower embroidery that embellished shorts, blouses, and a cropped pant. The translucent tan chemise defied vulgar, paired with opaque khaki trousers and a thigh length white coat. Refined yet playful, John Patrick brewed a morning-coffee friendly presentation.

Jill Stuart

With the likes of Kim Kardashian sitting front row aptly clad in last season’s Jill Stuart frocks, the Koch Theater resonated with an eagerness to see the acclaimed designer’s take on spring fashion.  Nude faces with a slash of coral lips paraded the runway in a neutral palette of cream chiffon, camel-colored  suede, and the classic black and white pairing with effortless sophistication. A-line shapes dominated the collection, manifested in this season’s tan shorts, lightly striped dresses and dramatic capes. Contrasted with alternating rounded collars and short cuff necklaces, the overall aesthetic tasted like a cocktail of upscale saloon blended with a dash of southern derby grace. The show culminated with a sweet calf length cream gown, cinched at the waist with a playful black bow. We like.


Elise Øverland

As always, this season’s collection met our expectations with an abundance of leather, but with a refreshing softness laced into its seams. Accentuated by tousled middle-parted locks, the line was more innocent than its predecessor in February. Military caps were soothed by the lightness of the army green fabric with which they were paired, while leather micro-minis  were sweetened with three-quarter length sleeves. Serving as a pseudo intermission, a mohawked man in drag proved the designer’s wide demographic as he flaunted a look whilst playing the violin in sync with the soundtrack. Though the classic Øverland pairing of black with shades of brown dominated the collection, its palette was pervaded by electric blue, neon yellow and some fresh gold-embellished mustard. Edgy deep-slit jumpsuits were balanced by romantic black and white crocheted frocks  revamped with geometric patterns, while classic shapes were made playful with head scarves and adorable balloon sleeves. It’s no wonder the likes of Kelly Osbourne sat front row.

-Maria Eilersen

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April 16, 2010

David Meister F/W 2010

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[David Meister – Image via DavidMeister.com]

Devoted to creating dresses that flatter every woman, David Meister’s F/W 2010 collection exudes appeal, rich with texture and diverse shapes. His day frocks embody the menswear-for-women aesthetic, comprised of knit and tweed with surprising details on the simple and classic designs. The Bergdorf Signature line is more formal in function and appearance, taking a ball gown shape glammed up with silver accents and  fitted bodices that give any woman seductive curves. His evening looks consist of asymmetrical cocktail dresses and strapless gowns. David Meister takes comfort into consideration when creating the collection and, accordingly, his looks are 90% stretch and knit. His affinity for origami pleating pervades the overall aesthetic, interspersed with A-line frocks, liquid-like sequins and lightweight animal prints. Shop his designs here.

-Maria Eilersen

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