[Images via Style.com]
Chanel
Chanel S/S 2010 was, hands down, my favorite collection of the season. It managed to be fun yet sophisticated and was showcased amidst farm scenery, though the clothes were not overshadowed by the uniqueness of the down on the farm set. The show had a very “Marie Antoinette” feel to it: a charming and romanticized take on rustic country life full of sweet and delicate dresses paired with a pale color palette of black, red, and blue accents. Though the collection was nothing truly groundbreaking, it stayed true to Chanel’s aesthetic and played up its own trends instead of giving us yet another take on trends we have seen over and over again this season.
[Images via Style.com]
Hermès
Tennis was the theme at Jean Paul Gaultier’s Spring 2010 Hermès collection. I wasn’t too keen on the idea upon hearing the pitch for the line, but as soon as I saw the clothes — and, of course, the impeccable bags — I quickly changed my mind. Gaultier delivered a sophisticated, timeless collection for Hermès that is on-trend without veering too far overboard nor disposable once the next season rolls around. Each piece was beautiful, wearable, and effortless, from the tennis skirts to the silver chain-linked belts.
[Images via Style.com]
Alexander McQueen
Appropriately titled “Plato’s Atlantis,” Alexander McQueen’s Spring 2010 RTW collection was out of this world and was truly one of my favorite shows of the season. Inspired by mankind’s evolution from the sea and the idea that we may someday return, the dramatic collection featured 10-inch heels, belle-skirt silhouettes, braided asymmetrical hairstyles, aquatic colors, and intricate, digitally printed dresses. Evolution is still stuck in McQueens head, and ours, from the Darwinian-inspired collection that featured large to small taxidermied animals framing the runway. With this collection, McQueen proved he still knows how to put on a show — the hair, makeup, clothing volume (not to mention the shoes!), and overall primitive/futuristic aesthetic were combined in a slightly unsettling, almost scary, way — and the outcome was a brilliantly creative work of art.
-Sarah Nason
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