March 6, 2012
by Julia DiNardo
[All Photos via Mai Lyngby and Emilie Mosbaek]
Edith & Ella
Tweed and contradictions lifted the pure and sophisticated show through at Edith & Ella for fall 2012. The designers have an ability to bring a lightness and joy to their clothes., that included primary colors (red,green,blue) to give the collection a fresh look. With the old-school skirts and sparkling red shirts, the combination was new and interesting, yet extremely wearable.
Rützou
Rützou’s show was dominated by gauzy fabrics with a mix of pastels and earth colors. The long necklaces with fringed pendants hung carelessly around the neck of most of the models, along with other accessories such as oversized flowers inspired by Japanese art, alongside significant zippers visible in the linings of the clothes.
Stine Goya
Burnt earth tones, brown nude, physical dots and velvet. With these motifs, Stine Goya once again did an amazing job balancing the masculine/feminine mystique. Feminine details were represented via 3/4 sleeve lengths with some pants more closely fitted through the thighs.
–Mai Lyngby and Emilie Mosbaek
March 1, 2012
by Julia DiNardo
[All Images via ELLE.com]
Marni
For fall 2012, Marni successfully channeled retro-chic, understated dressing that may have a quirky detail or two, however, without detracting from the feminine aura. Monochromatic and asymetrical color blocking reigned the looks in a color palette that was simple, yet ultra-fresh. Plus, the heavily-cut bangs and ultra shiny tresses popped nicely on the runway, especially in a very “anti-bang” season.
Jil Sander
Are we really looking at the Jil Sander collection for fall 2012? If you had to do a double take too, it’s with good reason! The romantic side of the brand has started to trickle out, via fluffy, light, champagne pinks, and delicate hand wrought fabrications, but don’t assume that Jil Sander has turned into mushy sentimentality. Some stronger pieces, both in their fabric choices and drama via dark, sharp tailored lines appeared in the collection, epitomizing the slick minimalist expertise that has made Sander a popular name in mainstream fashion.
Missoni
Honestly, how many times can that signature chevron knit be rehashed and reworked? The answer: an infinite amount! Angela Missoni’s juxtaposition of nature and the metropolis played out to its fullest degree, literally a little rough around the edges as fabrics were given a dyed, worn effect. Equipped with fur, leather, and plenty of layers, this collection can definitely be coveted by Missoni lovers who want to rethink the way they wear the house’s best hits.
–Julia DiNardo
February 26, 2012
by fashion pulse contributor
[All Images via Style.com]
T by Alexander Wang continues to wow us by doing what Wang does best: gauzy, over sized and uncomplicated knitwear, effortless maxis, and basics that are none other but manageable. Simple never looked so good. For Fall 2012, T by Alexander Wang introduced full-length leather pants (at $995, they’re a bit pricier than the rest of the line) alongside more feminine pleated skirts and cropped knit tops. The neoprene dresses are anything but submissive, yet parallel the rest of the mainly black, grey, teal and ruby collection rather nicely.
Fendi
Fendi’s Fall 2012 collection of contrasts is nearly indescribable. Who knew nature and artificiality could compliment each other so well? The usage of furs and skins against streamlined skirts demanded attention, and we were equally as intrigued by the crown of warrior-like braids. Coats prevailed as the must-have item in the collection, however handbags came in at a close second place.
The collection was both dark and fresh, introducing subtle color blocking with burgundy and emerald. Those snake-like leggings were reminiscent of Avatar, and when paired with lace-up and furry boots, they were super sexy. With so much going on, it’s clear that Fendi is looking forward to the future of fashion.
-Alana Quagliariello
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February 23, 2012
by fashion pulse contributor
[All images via ELLE.com]
Giles
Giles Deacon’s romantic collection of boy meets girl evening wear is an anthology of opulent fashion. According to Style.com, a country house accidentally afire inspired Deacon’s creativity: “I just had this idea of someone rushing out of a beautiful house,” he said. “It’s burning down and what are you going to take?”
It’s nearly impossible to say which we would choose first in a collection of maxi dresses layered with strong collared necklines, organza ruffled skirts mirroring nightfall and majestic tailored jackets. Water stained prints reigned high and mighty against a dainty neutral palette of creams and golds. Burnt black and yellow stormed down the catwalk turning heads when mixed with feather embellishments. However, nothing raged more than the impish headpieces, constructed by renowned milliner Stephen Jones.
Christopher Kane
The show emerged with tons of black and pinstripes that gradually shifted into a gradient of color with deep blues, purples and reds. Mainly a collection of coquettish cocktail dresses, Kane’s look for Fall 2012 is unique in its structured, piping details.
Cut out dresses revealed a lot of skin, while chunky turtlenecks and and collared overcoats kept things a little less provocative. An eclectic purple leopard print and raging fiery red snakeskin pattern heated things up plenty toward the end when paired with harsh black leather. The Kane woman is 1/4 girly and 3/4 rock n’ roll.
-Alana Quagliariello
